最佳演讲稿开头(6篇范文)

第1篇 大学最佳新生演讲稿

大学最佳新生演讲稿

从零开始

一个运动员取得了金牌之后，一切从零开始，一个科学家取得科研成果之后，一切从零开始，一个高中生考上大学之后，一切从零开始。

从零开始并不代表忘记过去，而是站在一个新的起点上，向下一个目标迸发，回望过去的高中生涯，一路上的坎坷、波折都已经历过，作为一个大一新生的我，站在大学生活的起点上，一切从零开始，考上了大学说明我取得了阶段性的胜利，现在我又站在一个新的起点上。

那一路上的坎坷与波折的经历将是我在大学生活中宝贵的经验，这经验将伴随我走向大学生活。<莲山课 件>;

我认为大学生活就像创业一样，过去的基础就是创业的资本，有的人创业资本丰厚，有的人白手起家，不论如何，现在大家又站在同一起跑线上，只要心中有梦想，脚踏实地的去做，每个人都能实现自己的理想，所以让我们将梦想都付诸于行动吧！

古人云：“业精于勤，而荒于嬉，行成于思，而毁于随”。大学生活是美好的，是轻松的，但有的同学因此却失去了危机感，整天无所事事，最终迷失了自我，这还是有很多前车之鉴的，我们要引以为鉴，我认为大学教育是一种“通才”教育，其目的是提升学生的综合能力，如果单纯注重成绩，而不注意能力的培养，大学教育就失去了其本身的意义，而我们在高中阶段恰恰只注重学习成绩，而忽视了综合能力的培养，现在，大学为我们提供了这种优越的平台，供我们挖掘自己的潜能，现在我们有了从零开始培养自己综合能力的机会，这是我们不断走向完善自我，融入社会的有利条件。

人生有几十年，甚至上百年的航程，我们需要一步一个脚印踏踏实实的走下去，青年时代是我们生命的萌发、人生的起步、生命的开始、作为青年大学生的我们，更要好好珍惜现在的时光，把握现在的时光，当我们在吃饭的时候，时间从饭碗里流过，当我们洗脸的时候，时间从脸盆里流过，我意识到了时间的流逝，想用双手去挽留它，这时时光从我的手指间流过，时间就是这样的，总是一分一秒的流走，不论你是奋斗了还是荒废了，它总是安静的看着你，它是我们所有人的证明人，是每个人的历史见证者。

关于未来，我没有最终目标，但我对自己的要求很严格，我也相信自己会朝着前方一步一步去努力，总有成功的一天，就算是一颗小小的螺丝钉，也总会有自己的位置。

最后，我想借一句歌词来表达我的感想：我要一步一步往上爬，在最高点乘着叶片往前飞，让风吹干了泪和汗，总有一天我有属于我的天。

第2篇 以最佳状态，迎接高三演讲稿

尊敬的老师，亲爱的同学们，大家早上好！我是高二13班的陈彩艳，今天我要演讲的题目是――以最佳状态，迎接高三。

不知道同学们有没有听过那么一句话，“最长的莫过于时间，因为它永无穷尽，最短的也莫过于时间，因为我们的梦想都还不及一一去实现”。这个法国作家伏尔泰《哲学书简》里的一句话。对，时间就是这样一个奇妙的东西，看似长却又很短。一转眼春节过了，再次踏进校园，要面对的是即将到来的高三，不知道同学们是不是和我一样，有些迷茫，有些彷徨，还有一丝丝的期待呢？

在新的学期里，学校为了增加我们学习的紧迫感，还为了能让我们用更多的时间去备战高考，一致决定调整高二的在校时间与高三同步。可是面对学校的用心良苦，我们大多数人心里都有些许的抵触吧。我想，刚疯狂过一个轻轻愉悦的寒假，状态还没有调整过来，就要过上在校时间被延长的生活，心里或多或少都有一些不情愿吧。

当然，也包括我自己。但是，又静下心来想一想，我想到了一个问题，我想问问同学们，“有没有哪些事情即使你觉得再苦再累也要坚持的呢？”我的回答是，“梦想！”如果我们现在不想苦不想累，那要到什么时候才苦才累呢？在我们最应该奋斗的年纪选择安逸，那以后又要用什么来实现我们的梦想呢？

所以啊，高二的同学们，不经一番寒彻骨，怎得梅花扑鼻香呢？我们都应该相信现在的苦与累，定能浇灌出心中的硕果。

但是，仅仅和别人比时间，比勤奋还不够，我们还要有明确的目标，正确的学习方法和持之以恒的决心。

如果我们能做到这几点，那么我们就成功成为了一个准高三的学生。

我相信，如果蝴蝶没有经历破茧而出的痛苦，那么它也不能在蔚蓝的天空下飞舞；如果梅花没有经过狂风冰雪的刺骨，那么它也不能散发出如此独特的幽香；如果雄鹰没有经历世间风雨的锤炼；那么它也不能在广阔的天空中展翅高飞。人也一样，如果我们没有经历人生中的苦难，那么我们也不能活出精彩的自己。

所以，亲爱的准高三同学们，为了成为更好的自己，为了实现我们各自的梦想，就让我们以最佳的状态去迎接高三，加油！

我的演讲完毕，谢谢大家。

第3篇 最佳演讲稿

on january 13, jin weijie, a teacher from longhua chinese-english experimental school in baoan rushed to save four primary school students and sacrifice herself.

on march 31, a traffic accident happened in jiangsu province, once again, a primary school teacher, yin xuemei, saved six primary school students’ lives, while losing her own. this touched my heart deeply. who is the greatest? the teacher! if it was me, if i happened to be there, i would do the same thing, because i am a teacher, too.

working as a teacher, maybe there is nothing special in their life. but we have a belief deep within, that is --we must protect our students, keep our children safe, we won’t let any of them get hurt. just as what the commissioner of education in jiangsu province said: “the accident happened so quickly, it happened in a flick of an eye, there is no time to think about it or hesitate, saving the others is an instinctive action. she did it only because she was of great stature. she forgot about herself in the heat of the moment. ”

there is no doubt, teachers are worth all respect! teachers are selfless! they impart knowledge to the students, they offer ways and skills of learning to their students, and they offer their lives with no hesitancy when necessary! so i am proud of being a teacher. i like students, teaching will be my life-time career.

choosing the right career is very important, most of us spend a great part of our lives doing jobs. some of us have become very successful. mainly because they have chosen appropriate careers which match their talents and stimulate their interests . i prefer teaching english. english is my favorite. in my opinion, teaching english is more wonderful than any other subject.

there are thousands of different languages in the world. which language is the most important? as we know, english is an international language, and it could be used all over the world. english is becoming more and more important and popular in china. we adults learn english, school students learn english, even the babies in the kindergarten learn english. it’s a necessary language if you want to go abroad, it’s an essential quality for the researchers to get the latest information in the world quickly. in an age of fast communication, if we want to learn about the outside world, english is definitely the language we should know.

let’s take a look at a practical viewpoint, if you’re looking for a job that can provide you a good position and a high salary, understanding english often makes it much easier. it can’t be denied that english is very important if you want to make a good living. english is a very important language no matter what you do or where you go, millions of people would like to master english, but it’s not a piece of cake.

so being an english teacher is good. i am fortunate that i can express my opinions in english. so i am lucky i can teach english.

furthermore, being an english teacher, i am very content. i am so grateful to have a life that is filled with teenagers’ trust and love. when my students answer my questions correctly, when they discuss passionately, when they communicate with foreigners fluently, when i see the slowest in thought make progress, i know i have done a great job. nothing can replace my pleasure.

so being an english teacher, i have got fantastic pleasure. it is english that makes my life wonderful. it is english that makes me feel confident. it is english that makes me different

if there is another chance for me to choose my occupation, i won’t choose anything except being an english teacher.

i enjoy my job, and i love my life.

最佳感恩演讲稿

以下是由为各位推荐的感恩演讲稿

有人说，忘记感恩是人的天性。当我们偶然来到这个世界上，什么都还没来得及做的时候，我们就已经开始享受前人带给我们物质和精神上的一切成果了。这就提醒着我们每一个人，要怀有一颗感恩的心。

怀有一颗感恩的心，才更懂得尊重。尊重生命、尊重劳动、尊重创造。怀着感恩的心，一代伟人邓小平古稀之年说：“我是中国人民的儿子，我深深的爱着我的祖国和人民！”怀着感恩的心，诗人艾青他的诗中写到：“为什么我的眼中饱含泪水，因为我对这片土地爱得深沉。”听说过一个人向树道歉的故事吗？听说过所有正行驶的汽车为狗让路的故事吗？这些真实的故事，感动于人对生命的关爱，感动于人对生命的尊重。当我们每天享受着清洁的环境时，我们要感谢那些保洁工作者；当我们迁入新居时，我们要感谢那些建筑工人；当我们出行，要感谢司机……懂得感谢，就会以平等的眼光看待每一个生命，重新看待我们身边的每个人，尊重每一份平凡普通的劳动，也更加尊重自己。

怀有一颗感恩的心，才更能体会到自己的职责。现代社会每个人都有自己的职责、自己的价值。当xx感动中国十大人物之一的徐本禹走上银幕时，人性的善良再一次被点燃，这个原本该走入研究生院的大学生，却义无返顾的从繁华的城此文来源于文秘家园走进了大山。这一平凡的壮举刺痛了每一个人的眼睛，也点燃了每一个人内心未燃的火种。而让他做出这一抉择的理由很简单：怀着一颗感恩的心。徐本禹用他感恩的心，为大山里的孩子铺就了一条爱的道路，点燃了贫穷和希望，完成了他的职责，实现了他的人生价值。

怀有一颗感恩的心，不是简单的忍耐与承受，更不是阿q，而是以一种宽宏的心态积极勇敢的面对人生。我相信，最温暖的日子来自寒冷，我更相信，最温暖其实是对寒冷的一种谅解，一种感恩中的感动。一个人要学会感恩，对生命怀有一颗感恩的心，心才能真正快乐。一个人没有了感恩，心就全部都是空的。“羊有跪乳之恩”，“鸦有反哺之恩”，“赠人玫瑰，手有余香”，“执子之手，与子偕老，”这些都因怀有一颗感恩的心，才芬芳馥郁，香泽万里。

所以我要感谢你，我生命中往来的路人，让我懂得淡来淡去才不牵累于心灵，感谢有你，来来去去，我都会珍惜；感谢你，我生命中所有的师长，让我懂得知识的宝贵，感谢有你，岁岁年年，我都会铭记；感谢你，我生命中至亲至密的朋友，快乐有你分享，悲伤有你倾听，感谢有你，忙忙碌碌，我都不会忘记；感谢你，我至真至爱的亲人，岁月途中，静静的看护着我，挡风遮雨，让我被爱的幸福中也学会了如何去爱他人，感谢有你，日日夜夜，我都留心里。

感谢日升日落，感谢快乐伤痛，感谢天空大地，感谢天上所有的星星，感谢生活，感谢得到和失去的一切，以及无所得无所失的一切的一切，让我草长莺飞的季节里拈起生命的美丽！

我的朋友们，让我们怀着感恩的心面向世界吧！让我们怀着感恩的心对待我们的生活吧！只要我们对生活充满感恩之心，充满希望与热情，我们的社会就会少一些指责与推诿，多一些宽容与理解，就会少一些争吵与冷漠，多一些和谐与温暖，就会少一些欺瞒与涣散，多一些真诚与团结，我们的精神家园将永远年轻……

年度最佳励志演讲稿

与大家分享篇年度励志演讲稿

大家都知道，只要你不断的超越地平线一定会有很多的风景在你眼前展示出来。这跟你有没有钱没关系。而我曾怀揣100元人民币，走到了泰山，走到了黄山，走到了九华山，走到了庐山。我一边走一边帮人家干活，走到九华山发现没钱了，就睡到一个农民家里。那个农民在江边给我弄了个床，还找我要钱，而我口袋里只有5块钱。于是，我就说帮他一起插秧来抵消住宿费。他左看右看说，大学生怎么会插秧呢？结果插了一天我插了四分之三，而他只插了四分之一，把他感动的半死不活。他说，你怎么会插的那么快呢？我说，我14岁那年就获得过我们县的插秧冠军。然后，他晚上杀了一只鸡要我一起喝酒。他越聊越觉得我不像大学生更像农民。第二天我走的时候，他居然掏了10块钱给我说，我知道你口袋里没钱了，明天还要去庐山，这点钱就给你当路费。

生命是有各种活法的，但是哪怕你坐到书斋中间，一辈子也要让自己的生命变的伟大。陈景润一辈子没出过书斋，不也是世界上最伟大的数学家？所以不管在什么状态下也要像一首诗写的那样“相信未来，热爱生命”。所以只有当我们的生命有了期待以后，才会有进步。有的时候，我们选择前进，不是因为我们有多么坚强。有这么一句话让我很感动，也变成了我的座右铭：“坚持下去不是因为我很坚强，而是因为我别无选择。”新东方有一个运动，叫做徒步50公里。任何一个新东方新入职的老师和员工都必须徒步50公里，而未来的每一年也都要徒步50公里。很多人从来没走过那么远的路，一般走到10公里就走不动了，尤其是要爬山涉水地走。每次我都会带着新东方员工走，走到一半的时候会有人想退缩，我说不行，你可以不走，但是把辞职报告先递上来。当走到25公里的时候你只有3个选择，第一，继续往前走；第二，往后退；但当你走到一半的时候，你往后退也是25公里，还不如坚持往前走呢；第三，站在原地不动。而在人生旅途中停止不前还有什么希望呢？

我们人生有很多迷茫和痛苦，而只要你坚持往前走，痛苦往往会解决掉。在走的过程中，我也痛苦得流过泪，也曾经痛苦得嚎啕大哭过，但我知道真的坚持下去不是因为你坚强而是因为你别无选择。走到最后你会发现总会有成果。我没想到新东方能从培训13个学生，现在变成培训175万学生、其实所有这一切你都不一定要去想，只要坚持往前走就行了。

我们生命中总要去追寻一种经历，有的时候我们觉得人连条鱼都不如，因为我在加拿大的时候，我看过加拿大三文鱼回流，每次它回流产卵的时候，我总会发现生命及其壮观，鱼卵产在沙子里会被其他动物吃掉很多。第二年春天的时候剩下的鱼卵会变成小鱼，小鱼会顺流而下，流到湖里，而在湖里又会被其他鱼类吃掉一些。一年后，长大的鱼会顺着大河奔入海洋，然后绕太平洋一周，每四年一个循环。如果三文鱼就在海洋中待着不回到湖里产卵，它就不会死，但它是受到内心的召唤集中在河口开始往前游，一旦游进河的时候就再也不吃任何东西拼命地往前游，然后游到目的地开始配对产卵，产好后就双双死亡。你会看到成千上万的红色死鱼漂在河上，而老鹰和黑熊就在边上等着。

我看了后特别感动，一条小小的三文鱼也知道，生的使命是不能放弃。那我们人生的使命呢，比如父母为我们献出了青春财富，把你养育成人。而我们未来变成父母后也是一样。我们孩子的成长就是你的使命，而我们其他的使命感，如何让自己活得更加幸福，如何帮助别人，让这个社会变得更加有意义。为什么宗教人士会活得相对简单，因为他们灌输了一种使命感。而连一条鱼都经历了小溪流、湖泊、大海，他尝到了淡水的清香和海水的苦涩，完成了生命的周期。如果我们这一辈子都没有苦涩，没有幸福和甜美，那生命是很遗憾的。

后来大学女生问我，俞老师我们现在找男朋友要什么标准，我说很简单，参考我的长相。当然如果长得像我，那是绝对不能放过的。凡是长得比我难看的也不要放过，因为这个世界上的规律就是，越难看的人内涵越丰富。

最佳励志演讲稿：dream

我不知道你有什么样的梦想

i don't know what dream is that you have

我不在乎你朝着梦想前进时曾遇到什么样的困难

i don't care what kind of disappointment you may come across at your working towards the dream

那个你放在心上想了又想的梦想

that dream you hold in your mind

它是有可能达成的

that is possible

虽然你可能觉得

that somebody of you may already know

它太困难了

that is hard

它并不简单

it‘s not easy

要改变你的生命很难

it’s hard to change your life

为梦想打拼的过程中

in the process of working on your dreams

你会遇上无数的打击

you are going to encounter, encounter a lot of disappointment

无数的失败

a lot of failure

无数的痛楚

a lot of pain

你会有质疑自己的时候

your moment may be like that when you doubt yourself

会问上苍为何这就是我的命运

ask god ,why this destiny happen to me

我不过是想照顾我的小孩父母，又不是去偷去抢

i just want to take care of my children, my mother, and not try to steal or rob anybody

为何这样的事会发生在我身上

why such a thing could happen to me

曾经遇到过难处的人

those of you who have experienced much hardship

不要放弃你的梦想

don't give up your dream

艰难的日子会到来，但它们终将成为过往

difficult days would come, but they will eventually become a thing of the past

伟大的成就并非虚幻不切实际

great achievement is not illusory or impractical

并非像神一样只有卓越不凡的人才当得了

and it is not only be get by god who got remarkable talent

它是真实的存在于我们每个人心中

it is real exists in the heart of every one of us

重要的是你必须相信，你做得到

it is important for you to believe that you are the one, and you can do it

大部分的人成家立业，日复一日然后老死

most people married, day after day and then die of old age

他们停止成长，停止锻炼自己，停止试图超越自己

they stop growing, stop exercising, stop trying to pushing themselves

然后还有人很爱抱怨却不敢尝试改变现况

then there are those who love complaining but don't try to change and they do nothing

about the situation

多数人都不想为自己的梦想努力，为什么?

most people don't want to strive for your dreams, why?

原因之一就是害怕失败，

“万一事情不如预期怎么办”?

one reason is the fear of failure, "what if things are worse than expected to do"?

再来就是害怕成功，

“万一成功后我没能力掌控怎么办”?

then is the fear of success, "after the success, what if i don't have the ability to control how to do"?

他们完全不想承担风险

they completely don't want to take risks

你花了大量的时间与他人交际，想让别人喜欢你

you spend a lot of time to communicate with them, and want others to like you

你忍让他人比忍让自我更多

you are tolerant to others more than yourself

你观察他们，知道他们一切事情，想跟他们混在一起，变得跟他们一样

you observe them, you know about them, you want to mix together with them, you want to be like them

然而你知道吗?

but do you know?

花了那么多时间在他们身上，最终却失去自我

spent so much time on them, but eventually lost yourself

我要你学会与自己坦诚相处

i want you to learn to get along with honest by yourself

如果你想达成梦想，就必需将你内心的莽蛇去除

it is necessary to get the snake out of your life, if you want to reach your dream 微信号：haikaixingui

朝自己梦想前进的人，生命会有截然不同的特殊意义

people who running toward the men of his own dreams can have special meaning

当你找到了自我，慢慢的你会与他人有所不同

when you find yourself, you will slowly be different from others

开始拥有自己的特点

began to have your own characteristics

但若你只懂跟他人脚步以及模仿他人

but if you only know follow with others steps and imitate others

你永远无法变成最强的模仿者

you can never become the best imitators

但你可以成为最优秀的自己

but you will be the best you could be

我要你找到自己的价值

i want you to find your own value

其他人看不见，无法参与，也不会为你拓展视野

others can't see, can't participate in, nor exp

第4篇 奥斯卡最佳导演詹姆斯·卡梅隆ted英文演讲稿

以下这篇由站整理提供的是《阿凡达》、《泰坦尼克号》的导演詹姆斯·卡梅隆(james cameron)的ted演讲。在这个演讲里，卡梅隆回顾了自己从电影学院毕业后走上导演道路的故事。卡梅隆告诉你，不要畏惧失败，永远不要给自己设限。更多演讲稿范文，欢迎访问站!

i grew up on a steady diet of science fiction. in high school, i took a bus to school an hour each way every day. and i was always absorbed in a book, science fiction book, which took my mind to other worlds, and satisfied, in a narrative form, this insatiable sense of curiosity that i had.

and you know, that curiosity also manifested itself in the fact that whenever i wasn't in school i was out in the woods, hiking and taking "samples" -- frogs and snakes and bugs and pond water -- and bringing it back, looking at it under the microscope. you know, i was a real science geek. but it was all about trying to understand the world, understand the limits of possibility.

and my love of science fiction actually seemed mirrored in the world around me, because what was happening, this was in the late '60s, we were going to the moon, we were exploring the deep oceans.jacques cousteau was coming into our living rooms with his amazing specials that showed us animals and places and a wondrous world that we could never really have previously imagined. so, that seemed to resonate with the whole science fiction part of it.

and i was an artist. i could draw. i could paint. and i found that because there weren't video gamesand this saturation of cg movies and all of this imagery in the media landscape, i had to create these images in my head. you know, we all did, as kids having to read a book, and through the author's description, put something on the movie screen in our heads. and so, my response to this was to paint, to draw alien creatures, alien worlds, robots, spaceships, all that stuff. i was endlessly getting busted in math class doodling behind the textbook. that was -- the creativity had to find its outlet somehow.

and an interesting thing happened: the jacques cousteau shows actually got me very excited about the fact that there was an alien world right here on earth. i might not really go to an alien world on a spaceship someday -- that seemed pretty darn unlikely. but that was a world i could really go to, right here on earth, that was as rich and exotic as anything that i had imagined from reading these books.

so, i decided i was going to become a scuba diver at the age of 15. and the only problem with that was that i lived in a little village in canada, 600 miles from the nearest ocean. but i didn't let that daunt me. i pestered my father until he finally found a scuba class in buffalo, new york, right across the border from where we live. and i actually got certified in a pool at a ymca in the dead of winter in buffalo, new york. and i didn't see the ocean, a real ocean, for another two years, until we moved to california.

since then, in the intervening 40 years, i've spent about 3,000 hours underwater, and 500 hours of that was in submersibles. and i've learned that that deep-ocean environment, and even the shallow oceans,are so rich with amazing life that really is beyond our imagination. nature's imagination is so boundlesscompared to our own meager human imagination. i still, to this day, stand in absolute awe of what i see when i make these dives. and my love affair with the ocean is ongoing, and just as strong as it ever was.

but when i chose a career as an adult, it was filmmaking. and that seemed to be the best way to reconcile this urge i had to tell stories with my urges to create images. and i was, as a kid, constantly drawing comic books, and so on. so, filmmaking was the way to put pictures and stories together, and that made sense. and of course the stories that i chose to tell were science fiction stories: "terminator," "aliens" and "the abyss." and with "the abyss," i was putting together my love of underwater and diving with filmmaking. so, you know, merging the two passions.

something interesting came out of "the abyss," which was that to solve a specific narrative problem on that film, which was to create this kind of liquid water creature, we actually embraced computer generated animation, cg. and this resulted in the first soft-surface character, cg animation that was ever in a movie. and even though the film didn't make any money -- barely broke even, i should say -- i witnessed something amazing, which is that the audience, the global audience, was mesmerized by this apparent magic.

you know, it's arthur clarke's law that any sufficiently advanced technology is indistinguishable from magic. they were seeing something magical. and so that got me very excited. and i thought, "wow, this is something that needs to be embraced into the cinematic art." so, with "terminator 2," which was my next film, we took that much farther. working with ilm, we created the liquid metal dude in that film. the success hung in the balance on whether that effect would work. and it did, and we created magic again, and we had the same result with an audience -- although we did make a little more money on that one.

so, drawing a line through those two dots of experience came to, "this is going to be a whole new world," this was a whole new world of creativity for film artists. so, i started a company with stan winston, my good friend stan winston, who is the premier make-up and creature designer at that time, and it was called digital domain. and the concept of the company was that we would leapfrog past the analog processes of optical printers and so on, and we would go right to digital production. and we actually did that and it gave us a competitive advantage for a while.

but we found ourselves lagging in the mid '90s in the creature and character design stuff that we had actually founded the company to do. so, i wrote this piece called "avatar," which was meant to absolutely push the envelope of visual effects, of cg effects, beyond, with realistic human emotive characters generated in cg, and the main characters would all be in cg, and the world would be in cg. and the envelope pushed back, and i was told by the folks at my company that we weren't going to be able to do this for a while.

so, i shelved it, and i made this other movie about a big ship that sinks. (laughter) you know, i went and pitched it to the studio as "'romeo and juliet' on a ship: "it's going to be this epic romance,passionate film." secretly, what i wanted to do was i wanted to dive to the real wreck of "titanic." and that's why i made the movie. (applause) and that's the truth. now, the studio didn't know that. but i convinced them. i said, "we're going to dive to the wreck. we're going to film it for real. we'll be using it in the opening of the film. it will be really important. it will be a great marketing hook." and i talked them into funding an expedition. (laughter)

sounds crazy. but this goes back to that theme about your imagination creating a reality. because we actually created a reality where six months later, i find myself in a russian submersible two and a half miles down in the north atlantic, looking at the real titanic through a view port. not a movie, not hd -- for real. (applause)

now, that blew my mind. and it took a lot of preparation, we had to build cameras and lights and all kinds of things. but, it struck me how much this dive, these deep dives, was like a space mission. you know, where it was highly technical, and it required enormous planning. you get in this capsule, you go down to this dark hostile environment where there is no hope of rescue if you can't get back by yourself. and i thought like, "wow. i'm like, living in a science fiction movie. this is really cool."

and so, i really got bitten by the bug of deep-ocean exploration. of course, the curiosity, the science component of it -- it was everything. it was adventure, it was curiosity, it was imagination. and it was an experience that hollywood couldn't give me. because, you know, i could imagine a creature and we could create a visual effect for it. but i couldn't imagine what i was seeing out that window. as we did some of our subsequent expeditions, i was seeing creatures at hydrothermal vents and sometimes things that i had never seen before, sometimes things that no one had seen before, that actually were not described by science at the time that we saw them and imaged them.

so, i was completely smitten by this, and had to do more. and so, i actually made a kind of curious decision. after the success of "titanic," i said, "ok, i'm going to park my day job as a hollywood movie maker, and i'm going to go be a full-time explorer for a while." and so, we started planning theseexpeditions. and we wound up going to the bismark, and exploring it with robotic vehicles. we went back to the titanic wreck. we took little bots that we had created that spooled a fiber optic. and the idea was to go in and do an interior survey of that ship, which had never been done. nobody had ever looked inside the wreck. they didn't have the means to do it, so we created technology to do it.

so, you know, here i am now, on the deck of titanic, sitting in a submersible, and looking out at planks that look much like this, where i knew that the band had played. and i'm flying a little robotic vehiclethrough the corridor of the ship. when i say, "i'm operating it," but my mind is in the vehicle. i felt like i was physically present inside the shipwreck of titanic. and it was the most surreal kind of deja vu experience i've ever had, because i would know before i turned a corner what was going to be there before the lights of the vehicle actually revealed it, because i had walked the set for months when we were making the movie. and the set was based as an exact replica on the blueprints of the ship.

so, it was this absolutely remarkable experience. and it really made me realize that the telepresence experience -- that you actually can have these robotic avatars, then your consciousness is injected into the vehicle, into this other form of existence. it was really, really quite profound. and it may be a little bit of a glimpse as to what might be happening some decades out as we start to have cyborg bodies for exploration or for other means in many sort of post-human futures that i can imagine, as a science fiction fan.

so, having done these expeditions, and really beginning to appreciate what was down there, such as at the deep ocean vents where we had these amazing, amazing animals -- they're basically aliens right here on earth. they live in an environment of chemosynthesis. they don't survive on sunlight-basedsystem the way we do. and so, you're seeing animals that are living next to a 500-degree-centigradewater plumes. you think they can't possibly exist.

at the same time i was getting very interested in space science as well -- again, it's the science fiction influence, as a kid. and i wound up getting involved with the space community, really involved with nasa, sitting on the nasa advisory board, planning actual space missions, going to russia, going through the pre-cosmonaut biomedical protocols, and all these sorts of things, to actually go and fly to the international space station with our 3d camera systems. and this was fascinating. but what i wound up doing was bringing space scientists with us into the deep. and taking them down so that they had access -- astrobiologists, planetary scientists, people who were interested in these extreme environments -- taking them down to the vents, and letting them see, and take samples and test instruments, and so on.

so, here we were making documentary films, but actually doing science, and actually doing space science. i'd completely closed the loop between being the science fiction fan, you know, as a kid, and doing this stuff for real. and you know, along the way in this journey of discovery, i learned a lot. i learned a lot about science. but i also learned a lot about leadership. now you think director has got to be a leader, leader of, captain of the ship, and all that sort of thing.

i didn't really learn about leadership until i did these expeditions. because i had to, at a certain point, say, "what am i doing out here? why am i doing this? what do i get out of it?" we don't make money at these damn shows. we barely break even. there is no fame in it. people sort of think i went awaybetween "titanic" and "avatar" and was buffing my nails someplace, sitting at the beach. made all these films, made all these documentary films for a very limited audience.

no fame, no glory, no money. what are you doing? you're doing it for the task itself, for the challenge --and the ocean is the most challenging environment there is -- for the thrill of discovery, and for that strange bond that happens when a small group of people form a tightly knit team. because we would do these things with 10, 12 people, working for years at a time, sometimes at sea for two, three months at a time.

and in that bond, you realize that the most important thing is the respect that you have for them and that they have for you, that you've done a task that you can't explain to someone else. when you come back to the shore and you say, "we had to do this, and the fiber optic, and the attentuation, and the this and the that, all the technology of it, and the difficulty, the human-performance aspects of working at sea," you can't explain it to people. it's that thing that maybe cops have, or people in combat that have gone through something together and they know they can never explain it. creates a bond, creates a bond of respect.

so, when i came back to make my next movie, which was "avatar," i tried to apply that same principle of leadership, which is that you respect your team, and you earn their respect in return. and it really changed the dynamic. so, here i was again with a small team, in uncharted territory, doing "avatar," coming up with new technology that didn't exist before. tremendously exciting. tremendously challenging. and we became a family, over a four-and-half year period. and it completely changed how i do movies. so, people have commented on how, "well, you know, you brought back the ocean organisms and put them on the planet of pandora." to me, it was more of a fundamental way of doing business, the process itself, that changed as a result of that.

so, what can we synthesize out of all this? you know, what are the lessons learned? well, i think number one is curiosity. it's the most powerful thing you own. imagination is a force that can actually manifest a reality. and the respect of your team is more important than all the laurels in the world. i have young filmmakers come up to me and say, "give me some advice for doing this." and i say, "don't put limitations on yourself. other people will do that for you -- don't do it to yourself, don't bet against yourself, and take risks."

nasa has this phrase that they like: "failure is not an option." but failure has to be an option in art and in exploration, because it's a leap of faith. and no important endeavor that required innovation was done without risk. you have to be willing to take those risks. so, that's the thought i would leave you with, is that in whatever you're doing, failure is an option, but fear is not. thank you. (applause)

译文：我是看科幻小说长大的。高中时，我连坐校车上下学时都在读着科幻小说。这些书将我带到另一个世界，满足了我无止境的好奇。每当我在学校，我总是在树丛中寻找一些“标本”——青蛙、蛇、昆虫……我把它们放在显微镜下观察。我总是试图认知这个世界，想找到它可能的边界。

我对科幻小说的热爱或许是那个时代的写照。60年代末期，人类登上了月球，去了深海。通过电视，我们看到了不同的动物和地方。这都是我们不曾想象的。这种氛围中，我不知不觉地喜欢上了科幻小说。

每当我看完小说，故事中的影像就会在我脑海中不断放映。或许是因为创造力必须找到一个发泄方式，我开始画外星人、机器人、飞船……我甚至会在数学课上在课本的背面画画。

对科幻小说的不断接触让我想到：外星人不一定生存在外太空，他们很有可能就生活在我们星球上。所以15岁时，我决定成为一个潜水员。而当时实现梦想唯一的问题是我生活在加拿大的一个小山村，离最近的海有6英里远。

但我父亲并没有让这成为我梦想的障碍，他在边境对岸的美国纽约州布法罗找到了一个潜水培训班。于是我便在布法罗的一个泳池里获得了潜水证书。直到两年后，当我们全家搬到加州，我才第一次有机会真正地潜水。

在这之后的40年里，我在海底大约总共花了3万个小时。大海如此丰富多彩，众多神奇的生物生活其中。比起我们的想象力，自然的想象力完全没有边界。我想，至今我对大海的了解还是很少，但我对海洋的好奇却一直延续着。

电影魔法师与科学体验

但长大后，我并没有成为一名潜水员，我选择的职业是电影。我喜欢讲故事，画图画，电影看起来是最合适的工作。当然，我讲述的故事都是科幻的——终结者、外星人等等。

我也将我对潜水的热爱和电影融合在了一起。拍摄《深渊》时，我有了一些有趣的想法。当我们要塑造一个水状的生物时，我们使用了“计算机生成动画”——cg。cg的应用产生了电影历史上第一个软表面、电脑制成的形象。虽然这部电影使公司差点亏本，但全世界的观众被这种新技术所震撼。

根据亚瑟·克拉克定律——任何高难度的技术和魔法没有什么区别，很多人觉得自己看到了一些“神奇”的东西。这使我感到很兴奋。我想cg应该被用到电影艺术中去。

所以，在我接下来的电影《终结者2》中，我把这种技术又推近了一步，创造了一个金属人。我又变了一次魔术。这部电影很成功，我们赚了一些钱。

作为一个电影人，我看到了一个全新的世界，一个全新的未来。于是我和好友斯坦·温斯顿创立了一家公司，叫做“数字领域”。公司的概念是要跳过普通的电影制作直接进入数字电影制作。我们也是这么做的，这也使得我们在一段时间内有了一定的优势。但在90年代中期，我发现我们有些落后了。

我写《阿凡达》这部电影，就是想要推动整个视觉体验以及动画效果的进步。让电影人物跳出人们想象的框架，完全用动画效果诠释人物表情。但一开始，员工告诉我，他们还没有能力做到。于是我把《阿凡达》放在了一边，转而制作了另一部电影——《泰坦尼克号》。

在为《泰坦尼克号》寻找投资商时，我告诉制作人这是一部关于爱情的电影。它的故事就像罗密欧与朱丽叶一样凄美动人。而事实上，我自己真正想做的是，潜入海底探寻真正的泰坦尼克号。这是我的真心话，电影公司并不知道。

我告诉他们，我们要沉入海底，拍摄泰坦尼克号真实的画面。我们将把这个片段放在首映式上展现，这将会引起很大的轰动，票房也会很好。令人意外，电影公司真的同意出钱，支持我去探索泰坦尼克号。

虽然到现在我仍觉得有些疯狂，但这就是“想象创造了现实”。两个月后，我在北大西洋的一艘俄罗斯潜艇里用肉眼看到真正的泰坦尼克号。

《泰坦尼克号》的拍摄体验给我很大震撼。虽然我们要做很多准备工作，但令我震惊的是，这次深海拍摄就像是一次外太空旅行——尖端的科技，繁杂的计划，环境的危险，我仿佛置身于一本科幻小说中。

我发现我们可以想象一个生物，但是我想我永远无法想象出透过潜艇窗所看到的那些生物。我看见了一些我从未看见的东西，也看见了一些从来没有被人看见过的东西，因为当我们拍下它们时，他们还没有被科学所描述。我被震撼了。我必须做更多。

在《泰坦尼克号》成功后，我做了一个决定：暂停我的主业——好莱坞导演，做一段时间全职探险家。于是我们开始策划一些探险。在自动探测车帮助下，我们去了些危险的地方。我们发明了技术，对泰坦尼克号残骸做了一次全面勘测，使它再次重现在人们面前。

通过一种会飞行的自动探测仪，我可以坐在一个潜艇里探索泰坦尼克号的内部。当我在操作仪器时，我的脑子就像是在这些探测仪中。我感觉我自己真的到了泰坦尼克号上。这是一种最令人兴奋的似曾相识的感觉。我知道假如我在这里转个弯，我将会看到什么。因为我已经在另一个完全一样的泰坦尼克号复制品上工作了好几个月。

这是一次不同寻常的体验。它让我感觉到，远程监控的能量。你的意识可以被注入这些机器或注入另一种存在中。这种体验非常深刻。或许几十年后，当半机器人出现，或者任何后人类生物出现时，人们会对这种感觉习以为常。

在这些探险之后，我开始真正感谢这些存在于海底的生物。这些生物基本上对于我们来说就是外星生物。它们生活在一个化学合成的环境之中。它们无法像我们一样存活于太阳之下。同时，从小被科幻小说影响的我对于太空科学也非常感兴趣。

我进入了nasa的顾问委员会，策划真正的太空行程，让宇航员带着3d摄像机进入太空站。这些非常有趣，但我真正想做的是将这些太空专家带入深海，让他们看看深海，取一些样本。所以我们既做了纪录片，也在做科学。这些事业将我整个人生很好地整合了起来。

发现团队的力量

在发现的旅途中，我学到了很多。我学到的不仅仅是科学知识，还有领导力。很多人以为作为导演，就一定具有很高的领导力。但我却是从这些探险中学到如何带领团队。

在探险时，有时候我会问自己，我为什么会在这里?为什么要做这些纪录片? 我从中得到了什么? 我们并没有从这些纪录片中赚钱，还差点亏了本。我也没有赚到名声。很多人以为我在《泰坦尼克号》之后就一直躺在沙滩边享受。

那我在做什么呢?我做这些其实只是为了这件任务本身。为了挑战——海洋是现存最危险的环境;为了发现;也为了一种奇怪的关系——一个由很少人组成的紧密团队。我们这10到12个人在一起工作了很多年。有时要在海里一起工作2到3个月。

在这种关系中，我发现最重要的东西就是尊重。我在这里为了你，你在这里为了我。每个人做的工作都无法向其他人解释。我们必须建立起一种关系，建立尊重。

当我开始拍摄《阿凡达》时，我试着将这种互相尊重的领导力原则应用在电影拍摄中。很快情况就改变了。在《阿凡达》拍摄过程中，我的团队也很小，也在未知领地工作，创造新的科技，这非常有意思，非常有挑战。四年半时间，我们成为了一个家庭。这完全改变了我以前拍电影的方式。

有评论文章说，卡梅隆把海底的一些生物放到了潘多拉星球上是其影片成功的原因，而对于我来说，做事的基本法则以及过程本身改变了事情的结果。

最后，总结一下。我学到了什么?

第一：好奇心，这是你拥有的最重要的东西;

第二：想象力，这是你创造现实最重要的力量;

第三：对团队的尊重，这是比世界上其他定律更重要的定律。

有不少年轻电影导演向我讨教成功经验，我对他们说：“不要给自己划定界限。别人会为你去划边界，但你自己千万别去。你要去冒险。失败是你其中一个选项，但畏惧不是。从来没有一次探险是在有完全安全保障的情况下完成的。你必须愿意承担这些风险。”谢谢大家!(掌声)

第5篇 最佳励志演讲稿：dream

我不知道你有什么样的梦想

i don't know what dream is that you have

我不在乎你朝着梦想前进时曾遇到什么样的困难

i don't care what kind of disappointment you may come across at your working towards the dream

那个你放在心上想了又想的梦想

that dream you hold in your mind

它是有可能达成的

that is possible

虽然你可能觉得

that somebody of you may already know

它太困难了

that is hard

它并不简单

it‘s not easy

要改变你的生命很难

it’s hard to change your life

为梦想打拼的过程中

in the process of working on your dreams

你会遇上无数的打击

you are going to encounter, encounter a lot of disappointment

无数的失败

a lot of failure

无数的痛楚

a lot of pain

你会有质疑自己的时候

your moment may be like that when you doubt yourself

会问上苍为何这就是我的命运

ask god ,why this destiny happen to me

我不过是想照顾我的小孩父母，又不是去偷去抢

i just want to take care of my children, my mother, and not try to steal or rob anybody

为何这样的事会发生在我身上

why such a thing could happen to me

曾经遇到过难处的人

those of you who have experienced much hardship

不要放弃你的梦想

don't give up your dream

艰难的日子会到来，但它们终将成为过往

difficult days would come, but they will eventually become a thing of the past

伟大的成就并非虚幻不切实际

great achievement is not illusory or impractical

并非像神一样只有卓越不凡的人才当得了

and it is not only be get by god who got remarkable talent

它是真实的存在于我们每个人心中

it is real exists in the heart of every one of us

重要的是你必须相信，你做得到

it is important for you to believe that you are the one, and you can do it

大部分的人成家立业，日复一日然后老死

most people married, day after day and then die of old age

他们停止成长，停止锻炼自己，停止试图超越自己

they stop growing, stop exercising, stop trying to pushing themselves

然后还有人很爱抱怨却不敢尝试改变现况

then there are those who love complaining but don't try to change and they do nothing

about the situation

多数人都不想为自己的梦想努力，为什么?

most people don't want to strive for your dreams, why?

原因之一就是害怕失败，

“万一事情不如预期怎么办”?

one reason is the fear of failure, "what if things are worse than expected to do"?

再来就是害怕成功，

“万一成功后我没能力掌控怎么办”?

then is the fear of success, "after the success, what if i don't have the ability to control how to do"?

他们完全不想承担风险

they completely don't want to take risks

你花了大量的时间与他人交际，想让别人喜欢你

you spend a lot of time to communicate with them, and want others to like you

你忍让他人比忍让自我更多

you are tolerant to others more than yourself

你观察他们，知道他们一切事情，想跟他们混在一起，变得跟他们一样

you observe them, you know about them, you want to mix together with them, you want to be like them

然而你知道吗?

but do you know?

花了那么多时间在他们身上，最终却失去自我

spent so much time on them, but eventually lost yourself

我要你学会与自己坦诚相处

i want you to learn to get along with honest by yourself

如果你想达成梦想，就必需将你内心的莽蛇去除

it is necessary to get the snake out of your life, if you want to reach your dream 微信号：haikaixingui

朝自己梦想前进的人，生命会有截然不同的特殊意义

people who running toward the men of his own dreams can have special meaning

当你找到了自我，慢慢的你会与他人有所不同

when you find yourself, you will slowly be different from others

开始拥有自己的特点

began to have your own characteristics

但若你只懂跟他人脚步以及模仿他人

but if you only know follow with others steps and imitate others

你永远无法变成最强的模仿者

you can never become the best imitators

但你可以成为最优秀的自己

but you will be the best you could be

我要你找到自己的价值

i want you to find your own value

其他人看不见，无法参与，也不会为你拓展视野

others can't see, can't participate in, nor exp

第6篇 第86届奥斯卡最佳女配角lupita nyong获奖英语演讲稿

yes! thank you to the academy for this incredible recognition. it doesn’t escape me for onemoment that so much joy in my life is thanks to so much pain in someone else’s. and so i wantto salute the spirit of patsey for her guidance. and for solomon, thank you for telling her storyand your own.

steve mcqueen, you charge everything you fashion with a breath of your own spirit. thank youso much for putting me in this position, it’s been the joy of my life. [tears, applause.] i’mcertain that the dead are standing about you and watching and they are grateful and so am i.

chiwetel, thank you for your fearlessness and how deeply you went into solomon, tellingsolomon’s story. michael fassbender, thank you so much. you were my rock. alfre and sarah, itwas a thrill to work with you. joe walker, the invisible performer in the editing room, thankyou. sean bobbitt, kalaadevi, adruitha, patty norris, thank you, thank you, thank you — i couldnot be here without your work.

i want to thank my family, for your training [laughs] and the yale school of drama as well, foryour training. my friends the wilsons, this one’s for you. my brother junior sitting by my side,thank you so much, you’re my best friend and then my other best friend, my chosen family.

when i look down at this golden statue, may it remind me and every little child that no matterwhere you’re from, your dreams are valid. thank you.